瓊安．陶爾：《給愛麗莎》
JOAN TOWER For Alisa

雷納多．莫亞：《清晨的瓜優優咖啡》（瓜優優寫生第一號）
REINALDO MOYA El guayoyo de la mañana (Guayoyo Sketches I)

巴赫： 第二號小步舞曲 – 第一號小步舞曲
J.S. BACH Menuet II – Menuet I

艾莉森・洛金斯－赫爾：《熱情的失足》（尋找平衡第一號）
ALLISON LOGGINS-HULL Ebullient missteps (Chasing Balance I)

巴赫： 阿勒曼德舞曲
J.S. BACH Allemande

陳怡： 《古調》
CHEN YI Ancient Song

雷納多．莫亞：《午茶時間的瓜拉波》（瓜優優寫生第二號）
REINALDO MOYA Guarapo de la hora del burro (Guayoyo Sketches II)

巴赫：庫朗舞曲
J.S. BACH Courante

陳怡：《旋舞》
CHEN YI Spin Dance

艾莉森・洛金斯－赫爾：《狂野的自信》（尋找平衡第三號）
ALLISON LOGGINS-HULL Wild confidence (Chasing Balance III)

巴赫： 吉格舞曲
J.S. BACH Gigue

吉莉．史瓦茲曼：《前奏曲》
GILI SCHWARZMAN Preludium

巴赫：薩拉邦德舞曲
J.S. BACH Sarabande

艾莉森・洛金斯－赫爾：《即興》（尋找平衡第二號）
ALLISON LOGGINS-HULL Ad Libitum (Chasing Balance II)

雷納多．莫亞：《不加糖的深夜》（瓜優優寫生第三號）
REINALDO MOYA Cerrero de medianoche (Guayoyo Sketches III)

巴赫：前奏曲
J.S. BACH Prelude

本場音樂會除了巴赫作品外，其餘所有曲目皆是專為艾莉莎．薇勒絲坦與《碎片》所作的委託創作。
With the exception of the Bach Cello Suite No. 1 in G, all music on this program has been commissioned for Alisa Weilerstein and FRAGMENTS.

作曲家
COMPOSERS

作曲家、長笛家與製作人艾莉森・洛金斯－赫爾，被《華盛頓郵報》譽為樂壇「發電機」，創作打破類型框架，橫跨交響樂、電影配樂、室內樂及電子音樂。她的管弦樂作品善用獨特的聲響效果，與當代音樂製作技術相互呼應。她的創作深受美國黑人音樂影響，營造出充滿活力、如萬花筒般的繽紛色彩。題材大量採用社群、文化與生活經驗，鋪陳出豐富且引人共鳴的音樂敘事。她透過藝術反思黑人故事、音樂與經驗，催生多部與「非洲未來主義」思潮並進的作品；這項運動透過黑人文化的視角，想像出非主流的現實世界與獲得解放的未來。她自2024年9月起，出任紐澤西交響樂團的駐團藝術夥伴。

洛金斯－赫爾創立極具開創性的二重奏 Flutronix，曾為麗珠、法蘭克．海洋等多位流行音樂巨星擔任伴奏。她參與過多部賣座電影的配樂演奏，並為得獎紀錄片《帶他們回來》操刀配樂；該片由黛比．艾倫監製，聚焦傳奇舞者莫里斯．海因斯的故事。2023年，她率領長笛合奏團登上大都會藝術博物館慈善晚宴，為麗珠的演出伴奏。

本樂季是洛金斯–赫爾擔任克里夫蘭管弦樂團「路易斯作曲研究員」三年任期的最後一年。這項合作計畫以這支世界頂尖樂團作為稜鏡，折射出克里夫蘭的敘事與歷史，並將以三部世界首演作品劃下句點。

Celebrated as a musical “powerhouse” (The Washington Post), ALLISON LOGGINS-HULL is a composer, flutist, and producer whose work defies genre, from symphonic music to film scores, chamber and electronic music. Her signature style of composing for orchestra is characterized by unique sonic effects that echo contemporary music production techniques. Her works are profoundly influenced by Black American music, creating a vibrant and kaleidoscopic sonic palette. Thematically, her compositions are deeply rooted in the experiences of community, culture, and life, offering a rich and evocative musical narrative. Her artistic reflections on Black stories, music, and experience, have led to works aligned with Afrofuturism, a movement that imagines alternate realities and a liberated future viewed through the lens of Black cultures. In her newest appointment, she will serve as Resident Artistic Partner to the New Jersey Symphony, for a term beginning in September 2024.

Loggins-Hull formed the groundbreaking duo Flutronix, and has performed as an accompanist to major pop acts including Lizzo and Frank Ocean. She has performed on multiple blockbuster film scores and composed the score for Bring Them Back, an award-winning documentary executive produced by Debbie Allen about the legendary dancer Maurice Hines. In 2023, she led an ensemble of flutists at the Met Gala, backing a performance by Lizzo.

This season marks Loggins-Hull’s last of three years as the Lewis Composer Fellow with the Cleveland Orchestra, an engagement that focuses the narratives and history of Cleveland through the prism of one of the world’s great orchestras, culminating in three world premieres.

長笛家吉莉．史瓦茲曼經常以獨奏家身分登台演出，足跡遍及維也納音樂協會大樓、柏林愛樂廳及馬德里國家音樂廳等頂尖殿堂。她也長期與當代最受矚目的藝術家合作，參與室內樂音樂會、音樂節，並為歐洲各地廣播電台與電視台錄製節目。

2022年9月，她在卡內基廳發表首張由 Sony Classical 發行的專輯，演繹作曲家豪爾赫．格倫德曼的作品，為長笛曲目拓展新的可能。她的錄音作品還包括由 Pentatone 發行的專輯，收錄多首選自經典名作、為長笛與弦樂改編的室內樂作品。這張名為《老靈魂》的專輯，邀集了吉莉最親近的室內樂夥伴共同錄製，包括小提琴家蓋伊．布朗斯坦、中提琴家阿米哈．葛洛茲以及大提琴家艾莉莎．薇勒絲坦。

除了獨奏與室內樂演出之外，吉莉也曾多年隨丹尼爾．巴倫波因領導的西東合集管弦樂團四處巡演，同時她也非常熱衷於為年輕新秀開設大師班。

2020 年新冠疫情封城期間，由於無法旅行與演出，吉莉得以實現多年來的夢想，讓自己的創作真正成形。這條全新的道路發展得非常迅速，2022年柏林音樂廳管弦樂團首演了她的第一部管弦樂作品《肖像》。2023 年 6 月，這部作品結合克里斯多福．惠爾登令人驚豔的編舞，由英國皇家芭蕾舞團與舊金山芭蕾舞團舞者於墨西哥 Paax 音樂節演出，由指揮家奥朗德拉・德・拉・帕拉執棒。吉莉的首部完整創作《前奏曲》則是由艾莉莎．薇勒絲坦委託創作，其靈感源自艾莉莎的個性與演奏風格，也承載著作曲家自身的家族歷史。

Flutist GILI SCHWARZMAN performs regularly as a soloist at the Musikverein Wien, Berlin Philharmonie, Auditorio Nacional Madrid, among others. Gili collaborates often with some of the most celebrated artists of our time in chamber music concerts, festivals, and in recordings for Europe’s Radio and TV broadcasters.

In September 2022 she launched her first Sony Classical CD at Carnegie Hall, enriching flute repertoire with pieces written by composer Jorge Grundman. Her discography also includes a CD, recorded for Pentatone, that features chamber music with arrangements of some of the greatest works for flute and strings. This CD, Old Souls, features some of Gili’s most beloved chamber music partners: violinist Guy Braunstein, violist Amihai Grosz, and cellist Alisa Weilerstein.

Among her solo and chamber music performances, Gili has also toured with the West Eastern Divan Orchestra under the baton of Maestro Daniel Barenboim for several years, and she enjoys giving masterclasses to young talents as well.

During the 2020 Covid lockdowns, while unable to travel and perform, Gili had the opportunity to fulfill a lifelong dream to bring her own compositions to life. Her new path took off quickly, and in 2022 the Konzerthaus Orchestra Berlin premiered her first orchestral work Portrait. Joined by the exciting choreography by Christopher Wheeldon, this piece was performed in June 2023 by the dancers of the Royal Ballet and San Francisco Ballet in Festival Paax in Mexico, conducted by Maestra Alondra de la Parra. Gili’s first complete work was commissioned by Alisa Weilerstein. Prelude is inspired by Alisa’s personality and playing, as well as the composer’s personal family history.

瓊安．陶爾是當今公認舉足輕重的在世美國作曲家之一。在超過六十年的職涯中，她以作曲家、演奏家、指揮家及教育家的多重身分，對美國音樂界的貢獻深遠。

她廣受各大樂團、獨奏家與管弦樂團委託創作，合作對象包括：艾默森弦樂四重奏、東京弦樂四重奏與繆爾弦樂四重奏；獨奏家艾莉莎．薇勒絲坦、依芙琳．葛蘭妮、卡蘿．溫仙絲、大衛．席夫林與保羅．紐鮑爾；以及芝加哥、紐約、聖路易、匹茲堡、巴爾的摩、納許維爾、紐約州奧爾巴尼和華盛頓特區等地的交響樂團。近期的委託作品包括大提琴協奏曲《新的一天》以及管弦樂曲《1920/2019》。她為史蒂芬．班克斯創作的薩克斯風協奏曲預計將於 2026 年首演。

陶爾是首位獲選為福特「美國製造」聯合委託計畫的作曲家，集結了六十五個交響樂團共同合作。計畫成果由雷歐納．史拉特金帶領納許維爾交響樂團錄製成輯，並一併收錄《鼓》及《管弦樂協奏曲》。2008年，該專輯一舉斬獲葛萊美獎「最佳當代古典作品」、「最佳古典專輯」及「最佳管弦樂團演出」三項大獎。

1985 至 1988 年，陶爾擔任聖路易交響樂團駐團作曲家；1990 年，她憑藉為該團創作的《銀梯》，成為首位榮獲知名「葛洛麥爾作曲獎」的女性得主。其後她也曾受邀擔任多個樂團的駐團藝術家，包括聖路克管弦樂團為期十年的駐團（1997–2007）以及匹茲堡交響樂團（2010–11）。1970 至 1985 年間，陶爾也是曾榮獲「瑙姆堡獎」的「返始室內樂團」的共同創辦人兼鋼琴家。自 1972 年起，她於巴德學院任教，現為愛雪．B．艾德曼藝術教授。

JOAN TOWER is widely regarded as one of the most important American composers living today. During a career spanning more than sixty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by major ensembles, soloists, and orchestras, including the Emerson, Tokyo, and Muir quartets; soloists Alisa Weilerstein, Evelyn Glennie, Carol Wincenc, David Shifrin, and Paul Neubauer; and the orchestras of Chicago, New York, St. Louis, Pittsburgh, Baltimore, Nashville, Albany NY, and Washington DC among others. Recent commissions include the cello concerto A New Day and 1920/2019 for orchestra. Her saxophone concerto for Steven Banks will have a 2026 premiere.

Tower is the first composer chosen for a Ford Made in America consortium commission of sixty-five orchestras. Leonard Slatkin and the Nashville Symphony recorded it (along with Tambor and Concerto for Orchestra). In 2008 the album collected three Grammy awards: Best Contemporary Classical Composition, Best Classical Album, and Best Orchestral Performance.

In 1990 she became the first woman to win the prestigious Grawemeyer Award for Silver Ladders, a piece she wrote for the St. Louis Symphony where she was Composer-in-Residence from 1985-88. Other residencies with orchestras include a 10-year residency with the Orchestra of St. Luke’s (1997-2007) and the Pittsburgh Symphony (2010-11). Tower was co-founder and pianist for the Naumburg Award-winning Da Capo Chamber Players from 1970-85. She is Asher B. Edelman Professor in the Arts at Bard College, where she has taught since 1972.

約翰．塞巴斯蒂安．巴赫是西方音樂史上的重要作曲家，一生創作了無數傑出的傳世鉅作，包括《馬太受難曲》、《B小調彌撒》、《郭德堡變奏曲》、《布蘭登堡協奏曲》、《聖誕神劇》、多部清唱劇），以及深受世人喜愛的《無伴奏大提琴組曲》；此外，他也是才華橫溢的管風琴家、大鍵琴家、中提琴家與小提琴家。巴赫生於德國艾森納赫的音樂世家，在家中八個孩子中排行最小。

布拉姆斯曾以一句話精準概括巴赫對音樂的深遠影響：「去研究巴赫吧。你會在裡頭找到一切。」

Celebrated as one of the greatest composers of Western music, JOHANN SEBASTIAN BACH produced a vast body of sublime masterworks, including the St Matthew Passion, B-minor Mass, Goldberg Variations, Brandenburg Concerti, Christmas Oratorio, Cantatas, and the beloved Cello Suites. An accomplished organist, harpsichordist, violist, and violinist, Bach was born in Eisenach Germany into a musical family, the youngest of eight children.

His influence on music is captured succinctly in the words of Brahms: “Study Bach. There you will find everything.”

雷納多．莫亞畢業於委內瑞拉全國青少年管弦樂團系統，曾榮獲美國藝術暨文學學會的「查爾斯．艾伍士研究獎學金」、兩度獲得「麥克奈特作曲家獎學金」、「范．利爾獎學金」以及「艾隆．柯普蘭獎」。此外，他也是「艾利斯–博雷加德基金會作曲家獎」得主，因而受邀為鋼琴家梁喜媛與邦格交響樂團委託創作鋼琴協奏曲。

2017至2019年擔任非營利組織「舒伯特俱樂部」駐地作曲家期間，他創作了室內歌劇《商店》，被《星辰論壇報》盛讚為「鮮明而獨特」。他受明尼蘇達歌劇院委託，創作歌劇《記憶男孩》，由馬克．坎貝爾編劇，並於 2016 年首演。

莫亞的作品曾由明尼蘇達管弦樂團、聖地牙哥交響樂團、邦格交響樂團、印第安納波利斯室內管弦樂團、茱莉亞學院管弦樂團、委內瑞拉西門．玻利瓦交響樂團以及紐澤西交響樂團演出。其他合作演出者，包括：賈斯伯弦樂四重奏、阿塔卡弦樂四重奏、歐柏林音樂學院管弦樂團、返始室內樂團與萊桑德鋼琴三重奏等。

他畢業於茱莉亞學院，取得碩士及博士學位，師從山繆．阿德勒與羅伯特．比瑟。莫亞曾任教於聖奧拉夫學院、因特洛肯藝術藝術中心及奧格斯堡大學，目前擔任麻州衛斯理學院的作曲副教授。

REINALDO MOYA is a graduate of Venezuela’s El Sistema music education system. He is the recipient of the Charles Ives Fellowship from the American Academy of Arts and Letter, two McKnight Composers Fellowships, the Van Lier Fellowship, and the Aaron Copland Award. He was the winner of the Ellis-Beauregard Foundation Composer Award, leading to the commissioning of his Piano Concerto for Joyce Yang and the Bangor Symphony Orchestra.

As the Composer-Residence at The Schubert Club 2017-19, he wrote Tienda: a chamber opera praised by The Star Tribune for its “proud individuality.” His opera Memory Boy, with a libretto by Mark Campbell, was commissioned by the Minnesota Opera and premiered in 2016.

His works have been performed by the Minnesota Orchestra, the San Diego Symphony, the Bangor Symphony, The Indianapolis Chamber Orchestra, Juilliard Orchestra, the Simón Bolívar Symphony Orchestra of Venezuela, the New Jersey Symphony. Other performers include the Jasper and Attacca String Quartets, the Oberlin Conservatory Orchestra, the Da Capo Chamber Players, the Lysander Piano Trio, among others.

He is a graduate of The Juilliard School with masters and doctorate degrees, studying with Samuel Adler and Robert Beaser. Mr. Moya has taught at St. Olaf College, the Interlochen Arts Camp, Augsburg University and is currently Associate Professor of Composition at Wellesley College in Massachusetts.

陳怡博士是多產的作曲家，融合中西方傳統，跨越文化與音樂的疆界。她目前擔任密蘇里大學堪薩斯分校音樂學院的特聘教授，並曾獲頒美國藝術暨文學學會的「查爾斯．艾伍士生活獎學金」。

她的作品由西奧多．普雷瑟出版社發行，作品曾受多位重要音樂家與樂團委託、演出，包括：耶胡迪．曼紐因、馬友友、依芙琳．葛蘭妮、香堤克利合唱團、克里夫蘭管弦樂團、哈雷管弦樂團、薩克森國家管弦樂團、BBC交響樂團、皇家愛樂樂團、西雅圖交響樂團、太平洋交響樂團、新加坡交響樂團、中國國家交響樂團、舊金山交響樂團、芝加哥交響樂團、紐西蘭交響樂團、洛杉磯愛樂樂團、紐約愛樂樂團、中國愛樂樂團、斯圖加特室內樂團、聖保羅室內樂團、聖路克室內樂團、波士頓現代管弦樂團、拉斯徹薩克斯風四重奏、稜鏡薩克斯風四重奏、長風中樂團、上海弦樂四重奏與應氏弦樂四重奏。其作品錄音由 Bis、New World、Albany、Bridge 及 Naxos 等眾多唱片廠牌發行。

她曾榮獲古根漢基金會、弗洛姆音樂基金會、羅氏基金會、庫塞維茲基音樂基金會、美國藝術暨文學學會、「會面作曲家」計畫、巴洛音樂創作基金會、美國室內音樂協會、美國合唱指揮協會、紐約州藝術委員會及美國國家藝術基金會的重要獎助與委託創作。獲獎紀錄包括：中國全國音樂作品比賽一等獎、加州藝術學院阿爾珀特獎、德州大學「艾迪．美杜拉．金作曲獎」、愛麗絲．斯托格獎、美國作曲家作家與出版商協會「音樂會音樂獎」，以及密蘇里大學堪薩斯城分校「大學校監生涯貢獻獎」。

陳怡於北京中央音樂學院取得作曲學士與碩士學位，並於紐約市哥倫比亞大學獲音樂藝術博士學位。主要作曲師從吳祖強教授、周文中教授與馬里歐．大衛朵夫斯基教授。她期盼自己的音樂能成為連結不同文化傳統的橋梁，促進世界人民之間的理解，進而為社會帶來和平。她曾獲選為美國人文與科學院以及美國藝術暨文學學會的院士。

As a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries, Dr CHEN YI is Distinguished Professor at the University of Missouri-Kansas City Conservatory, and recipient of the Charles Ives Living Award from the American Academy of Arts and Letters. Her music is published by Theodore Presser, commissioned and performed by such musicians and ensembles as Yehudi Menuhin, Yo-Yo Ma, Evelyn Glennie, Chanticleer, Cleveland/Halle/Saxon State Orchestras, BBC/Royal Philharmonics, Seattle/Pacific/Singapore/China National/San Francisco/ Chicago/New Zealand/BBC Symphonies, LA/NY/China Philharmonics, Stuttgart/St. Paul/St. Luke’s Chamber Orchestras, BMOP, Rascher/Prism Saxophone Quartets, Music From China, and Shanghai/Ying Quartets, recorded on Bis/New World/Albany/Bridge/Naxos, and many labels. Major fellowships and commissions were from Guggenheim/Fromm/Roche/Koussevitzky Music Foundations, AAAL, Meet The Composer, Barlow Endowment, Chamber Music America, ACDA, NYSCA and NEA. Honors include top prizes from Chinese National Composition Competition, CalArts/Alpert Award, UT Eddie Medora King Composition Prize, Elise Stoeger Award, ASCAP Concert Music Award, and the UMKC Chancellor’s Award for Career Contributions to the University. She received bachelor’s and master’s degrees in composition from the Beijing Central Conservatory of Music, and Doctor of Musical Arts degree from Columbia University in the City of New York. Major composition teachers are Profs. Wu Zu-qiang, Chou Wen-chung and Mario Davidovsky. She hopes that her music can bridge different cultural traditions, to improve understanding between peoples in the world for the peace of our society. She has been inducted to the American Academy of Arts and Sciences, and the American Academy of Arts and Letter.musicians and ensembles as Yehudi Menuhin, Yo-Yo Ma, Evelyn Glennie and Chanticleer, the Cleveland, Hallé and Saxon orchestras, the philharmonic orchestras of Los Angeles, New York, China and the BBC, and symphonies of Seattle, Singapore, China, San Francisco and Chicago. Other ensembles include chamber orchestras of Stuttgart, St Paul and St Luke’s, and Rascher and Prism Saxophone Quartets. Her music has been recorded on Bis, New World, Albany, Bridge and Naxos.

Major fellowships and commissions include Guggenheim, Fromm, and Roche foundations, AAAL, Meet The Composer, Chamber Music America and NEA. Honours include top prizes from Chinese National Composition Competition, CalArts/Alpert Award, Elise Stoeger Award and ASCAP Concert Music Award. She received Bachelor and Master’s degrees in Composition from Beijing Central Conservatory of Music, and a Doctor of Musical Arts from Columbia University. She has been inducted to the American Academy of Arts and Sciences, and the American Academy of Arts and Letters.