News

Dzonot Concerto with Rafael Payare and the San Diego Symphony, and FRAGMENTS in Germany


To end the season, Alisa reprises Gabriela Ortiz’s Dzonot  concerto for the second time this spring with Rafael Payare conducting the San Diego Symphony (May 9–10).

Premiered with Gustavo Dudamel leading the Los Angeles Philharmonic in fall of 2024, was released last summer on the composer’s GRAMMY-winning album Yanga, when Gramophone reported: “Weilerstein and the Los Angelenos play Dzonot with such conviction and technical mastery that I did a double take when I read in the booklet that this recording is taken from the premiere performances.”

Weilerstein brings FRAGMENTS to Germany, performing FRAGMENTS 3 – Emergence at Germany’s stARTfestival in Leverkusen (May 19);

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BRSO, and Bravo! Vail


Alisa Weilerstein heads to Munich to premiere Thomas Larcher’s cello concerto, returning into darkness, with the Bavarian Symphony Radio Orchestra (BSRO) conducted by Alan Gilbert (June 5, 6).  Larcher, whose music has been praised as “one of this century’s wonders” (The Times, UK), composed the work for Alisa, who gave the premiere this past March with the co-commissioning New York Philharmonic.

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This Spring: Larcher World Premiere with New York Phil and Bavarian Radio Symphony


This spring, Alisa Weilerstein gives the world and European premieres of Austrian composer Thomas Larcher’s new concerto – a co-commission of the New York Philharmonic and Bavarian Radio Symphony Orchestra – with the New York Philharmonic under Nikolaj Szeps-Znaider and the Bavarian Radio Symphony under Alan Gilbert, respectively.

This performance marks the third new concerto for Alisa this season, following Gabriela Ortiz’s Dzonot and Richard Blackford’s The Recovery of Paradise.

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