News

Fall 2026-27 Highlights

MacArthur Award-winning cellist Alisa Weilerstein’s groundbreaking six-part multisensory solo cello project, “FRAGMENTS” – the focus of a cover feature in the October 2025 issue of The Strad – continues with a season of notable milestones in 2026–27. After recent back-to-back performances of FRAGMENTS 1 – Wonder and FRAGMENTS 2 – Tumult in both Taipei and Shanghai – marking the first Asian performances of the series – she completes a cycle of premieres that have spanned several seasons in Carnegie’s Zankel Hall with FRAGMENTS 6 – Radiance (Nov 5).

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Summer Highlights: Chamber Music, Bach, and Tour with Payare

This summer, Alisa performs in numerous chamber and orchestral settings across the U.S. and Europe, beginning with duo recitals with her longtime friend and collaborator, pianist Inon Barnatan. Multiple programs focusing on transcriptions of works by Brahms and Shostakovich, as well as repertoire from their acclaimed albums together, are featured at the Ravinia Festival (June 7), the Minnesota Beethoven Festival (July 7), and the Aspen Music Festival and School (July 9).

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Dzonot Concerto with Rafael Payare and the San Diego Symphony, and FRAGMENTS in Germany

To end the season, Alisa reprises Gabriela Ortiz’s Dzonot  concerto for the second time this spring with Rafael Payare conducting the San Diego Symphony (May 9–10).

Premiered with Gustavo Dudamel leading the Los Angeles Philharmonic in fall of 2024, was released last summer on the composer’s GRAMMY-winning album Yanga, when Gramophone reported: “Weilerstein and the Los Angelenos play Dzonot with such conviction and technical mastery that I did a double take when I read in the booklet that this recording is taken from the premiere performances.”

Weilerstein brings FRAGMENTS to Germany, performing FRAGMENTS 3 – Emergence at Germany’s stARTfestival in Leverkusen (May 19);

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