News

Fall 2026-27 Highlights

MacArthur Award-winning cellist Alisa Weilerstein’s groundbreaking six-part multisensory solo cello project, “FRAGMENTS” – the focus of a cover feature in the October 2025 issue of The Strad – continues with a season of notable milestones in 2026–27. After recent back-to-back performances of FRAGMENTS 1 – Wonder and FRAGMENTS 2 – Tumult in both Taipei and Shanghai – marking the first Asian performances of the series – she completes a cycle of premieres that have spanned several seasons in Carnegie’s Zankel Hall with FRAGMENTS 6 – Radiance (Nov 5).

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FRAGMENTS in Prague, duo recital with Inon Barnatan, and concerto appearances with the Philharmonia Orchestra and LA Philharmonic

Continuing her on-going project FRAGMENTS, Alisa brings FRAGMENTS 5: Lament to Carnegie Hall on April 15.

A few days later she travels to Los Angeles to perform Shostakovich’s Second Cello Concerto with the LA Philharmonic under the baton of Ryan Bancroft.

An avid chamber musician, Alisa bookends her chamber performances this season with longtime friend and collaborator pianist Inon Barnatan in Palm Desert, California on April 26.

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Alisa Weilerstein’s January/February 2026 Highlights

To kick off the year, Alisa will perform Shostakovich’s First Cello Concerto with the Palm Beach Symphony (Jan 13). In Europe, she plays the Britten Cello Symphony with Alan Gilbert leading his own NDR Elbphilharmonie Orchestra (Jan 22–25) and a recital of Brahms and Prokofiev with Russian pianist Pavel Kolesnikov in Wigmore Hall (Jan 26). Alisa will then travel to Spain to perform the Lutosławski Cello Concerto with the Spanish National Orchestra under the baton of Krzysztof Urbański (Jan 30–Feb 1)

She returns to the Detroit Symphony for performances of Joan Tower’s A New Day, a piece co-commissioned by the orchestra, conducted by Music Director Jader Bignamini (Feb 13–15).

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