News

Dzonot Concerto with Rafael Payare and the San Diego Symphony, and FRAGMENTS in Germany


To end the season, Alisa reprises Gabriela Ortiz’s Dzonot  concerto for the second time this spring with Rafael Payare conducting the San Diego Symphony (May 9–10).

Premiered with Gustavo Dudamel leading the Los Angeles Philharmonic in fall of 2024, was released last summer on the composer’s GRAMMY-winning album Yanga, when Gramophone reported: “Weilerstein and the Los Angelenos play Dzonot with such conviction and technical mastery that I did a double take when I read in the booklet that this recording is taken from the premiere performances.”

Weilerstein brings FRAGMENTS to Germany, performing FRAGMENTS 3 – Emergence at Germany’s stARTfestival in Leverkusen (May 19);

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Carnegie Hall, Atlanta Symphony and Staatskapelle Berlin, and Fall Chamber performances


Following the UK Premieres of FRAGMENTS 1 & 2, Alisa performs FRAGMENTS 4 – Labyrinth in San Diego on October 29 as a prelude to its debut in Carnegie Hall on November 7. It was just this past summer that Alisa first performed all six parts of the project in one place, at Spoleto Festival USA. In its overview of the festival, Classical Voice North America declared Weilerstein’s performances to collectively be “the most awesome classical-music event this season,” calling them “a creation you literally had to see.”

Alisa opens the season with Atlanta Sympony, where she plays the Elgar Cello Concerto with Music Director Nathalie Stutzmann on October 3–5, and she plays the Britten Cello Symphony with Alan Gilbert leading the Staatskapelle Berlin on November 24.

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Alisa Weilerstein’s 2025–26: FRAGMENTS UK and European debuts


After performing FRAGMENTS 1 – Wonder at Rotterdam’s de Doelen this September, Weilerstein launches her 2025–26 residency at London’s Southbank Centre with a reprise of that program as well as FRAGMENTS 2 – Tumult, in afternoon and evening performances on the same day.

Other FRAGMENTS performances this season include FRAGMENTS 4 – Labyrinth in San Diego in October as a prelude to its debut in Carnegie Hall on November 7;

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