“The American’s sumptuous sound and modern technique have greater kinship with Casals and his successors than with ‘period-style’ performers, and her spacious readings have something of du Pré’s emotional style, with shafts of flamboyance in the third suite’s bourrées and the dark fifth’s gavottes. She brings a moving intensity to the sixth suite’s allemande and sarabande. This outstanding artist is a great catch for Pentatone.”